SCHMIT, Camille
Camille SCHMIT (Aubange (Luxemburg), 30th March 1908 - Limelette (Brabant), 11th May 1976
Complete music studies were taken at the Royal Conservatory of Brussels from 1928 to 1937. He was an active member of the “Séminaire des Arts” founded by André Souris.
From 1923 to 1939 he was an organist at Longwy (France). Afterwards, from 1940 to 1948, he played the organ at the cathedral of Arlon. Between 1947 and 1965 he was on the staff of the Royal Conservatory of Liège, first as professor of harmony, later as professor of counterpoint and fugue. From 1966 until his retirement in 1973, he was director of the French section of the Royal Conservatory of Brussels.
As a composer he did not create abundantly and his severe self-criticism gave him the unfortunate habit of regularly destroying some of his works. Initially he used a style where polytonality was the strong feature. Later on he tended towards a rigorous application of the dodecaphonic system.
[© CeBeDeM]
works
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Burlesques, 1946
piano 00:07:00 -
Burlesques, 1946
flute, oboe, clarinet and bassoon 00:10:00 -
Histoire pour Pierre, 1970
piano 00:02:30 -
L'air d'Arlon, 1946
four-part mixed choir and various instruments 00:06:00 -
La halte des heures, 1959
Alto or Baritone and piano 00:10:00 -
Moment musical, 1948
piano 00:04:00 -
Musique, 1949
piano and orchestra 00:19:00 -
Musique, 1949
2 pianos 00:19:00 -
Pour le piano, 1940
piano 00:12:00 -
Prélude, 1952
clarinet and piano 00:03:00 -
Préludes joyeux, 1945
chamber orchestra 00:11:00 -
Préludes joyeux, 1945
band 00:11:00 -
Psautier, 1946
middle voice, oboe, (cor anglais), clarinet in B flat, bassoon and piano 00:12:00 -
Psautier, 1946
middle voice and piano 00:04:00 -
Rigaudon, 1944
piano 00:02:00 -
Trio, 1945
oboe, clarinet, bassoon 00:10:00 -
Triptyque, 1952
orchestra 00:20:00
